Sunday, September 10, 2017
T250 Ebook PDF Ebook Refugees Why seeking asylum is legal and Australias policies are not by Jane McAdam Fiona Chong
T250 Ebook PDF Ebook Refugees Why seeking asylum is legal and Australias policies are not by Jane McAdam Fiona Chong
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Stopping the boats, blocking queue-jumpers, and proving who is a “real” refugee have become national obsessions. Misconceptions about refugees and asylum-seekers seem to be increasing, and governments and media continue to exploit anxieties in the community. This clear-headed book rejects spin and panic to explain what our obligations are and who the refugees and asylum-seekers are. It shows that there is a gap between the rhetoric and the legislated rights of refugees, who have been resettled from camps abroad, and asylum-seekers, who arrive by boat. It explains the difference between asylum-seekers, refugees, and migrants. It shows why asylum-seeker policies, developed over decades, are at odds with legal obligations. With real-life examples, the book reminds us that we are talking about real people and their children.
- Sales Rank: #3452643 in Books
- Model: 30227748
- Published on: 2014-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.10" h x .80" w x 5.30" l, .0 pounds
- Binding: Paperback
- 240 pages
About the Author
Jane McAdam is Scientia Professor of Law and director of the Andrew & Renata Kaldor Centre for International Refugee Law at the University of New South Wales (UNSW). She holds an Australian Research Council Future Fellowship, and is a nonresident senior fellow at the Brookings Institution in Washington, DC, as well as a research associate at the University of Oxford’s Refugee Studies Centre. She has published many books and articles on international refugee law and forced migration and is joint editor in chief of the International Journal of Refugee Law. Fiona Chong is a recent law graduate of UNSW. She was the research associate to Professor Jane McAdam, undertaking research on international refugee law, complementary protection, and climate change-related displacement.
Most helpful customer reviews
0 of 3 people found the following review helpful.
Id like to resell it
By Ellis Lawrence
I received this book as a gift. Id like to resell it, but Im afraid its a little damaged, from being thrown against the wall.
Briefly, any argument that refuses to deal with reality is worthless. The reality is that there are 11.7 million persons in Australias part of the world that the UN counts as refugees. This does not count people in other regions, such as the horn of Africa or the middle east, nor those people who would become refugees if they left their homes. 11.7 million is a figure that the authors themselves quote, and then simply refuse to consider its implications. They are remarkably coy about any specific policy, but they imply that any refugee who comes to Australia should be resettled in Australia. The whole book is an assault on any other policy, and by that fact an assault on reality itself. What they propose by implication is impossible. The impossibility is two layers deep. Not only is it politically impossible - the Australian people would instantly hurl from office any government that proposed anything remotely like that - but its also plainly physically impossible. It simply takes no account whatsoever of reality.
Instead, they invoke a fantasy: what they call international law. Unlike the real numbers, this is a mental construct that doesnt actually exist in the real world. Law is what can be, and actually is, enforced. If someone tries to enforce on Australia whatever provisions these authors think are law, let them try. Until then, stop talking nonsense.
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Friday, September 8, 2017
M963 Ebook Ebook Why Music Matters by David Hesmondhalgh
M963 Ebook Ebook Why Music Matters by David Hesmondhalgh
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Why Music Matters, by David Hesmondhalgh
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Listen to David Hesmondhalgh discuss the arguments at the core of Why Music Matters with Laurie Taylor on BBC Radio 4s Thinking Allowed here.
In what ways might music enrich the lives of people and of societies? What prevents it from doing so? Why Music Matters explores the role of music in our lives, and investigates the social and political significance of music in modern societies.
- First book of its kind to explore music through a variety of theories and approaches and unite these theories using one authoritative voice
- Combines a broad yet theoretically sophisticated approach to music and society with real clarity and accessibility
- A historically and sociologically informed understanding of music in relation to questions of social power and inequality
- By drawing on both popular and academic talk about a range of musical forms and practices, readers will engage with a wide musical terrain and a wealth of case studies
- Sales Rank: #1547754 in eBooks
- Published on: 2013-06-26
- Released on: 2013-06-26
- Format: Kindle eBook
Review
“Most notably the book is ambivalent about much of the promises claimed by the advocates of music’s transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world.”? (New Books In Critical Theory, 19 June 2014)
Review
"Many of us who love popular music call ourselves poptimist these days without bothering to establish a theoretical framework that would make that catchy term meaningful. In this slim, lucid, infinitely deep book, David Hesmondhalgh offers a way into that process. His conclusions about musics impact on our personal and social lives have already become essential to my own work, and any music scholar, critic, musician or fan will benefit from his calm, clear, uncompromising voice."
Ann Powers, Pop Music Critic, National Public Radio
"A terrific book: passionate, cogent, and best of all a strong defence of central role of aesthetic experience in fostering human flourishing and mutuality. A timely shot across the bows of new utilitarians in government and a much needed reminder to many in contemporary cultural and communication studies that analysis needs to have an ethical grounding."
Graham Murdock, Loughborough University
“This is also about why freedom, solidarity and love matter. Hesmondhalghs wide-ranging and thought-provoking study sets the agenda for musicologys latest affective turn.”
Martin Stokes, Kings College London
From the Back Cover
“Many of us who love popular music call ourselves ‘poptimist’ these days without bothering to establish a theoretical framework that would make that catchy term meaningful. In this slim, lucid, infinitely deep book, David Hesmondhalgh offers a way into that process. His conclusions about music’s impact on our personal and social lives have already become essential to my own work, and any music scholar, critic, musician or fan will benefit from his calm, clear, uncompromising voice.”
Ann Powers, Pop music critic, National Public Radio
“This is also about why freedom, solidarity and love matter. Hesmondhalgh’s wide-ranging and thought-provoking study sets the agenda for musicology’s latest affective turn.”
Martin Stokes, King’s College London
In what ways does music enrich the lives of people and of societies? What prevents it from doing so? In this carefully researched and insightful study, Hesmondhalgh examines the role of music in our lives, and how people forge connections with others through music. However, it also argues that music cannot remain unaffected by the inequalities that stain modern life. Through this critical defense of music, a variety of theories and approaches are brought together. In doing so, Hesmondhalgh provides a distinctive and valuable perspective on the general subject of music that builds on previous research from a variety of fields but also goes beyond them in instructive new ways. The result is a landmark study of the social value of music and an indispensable contribution to a variety of intersecting fields, written with enormous clarity, by a leading music scholar.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Its perhaps not a perfect distillation of its intended subject
By Matt R. Lohr
Hesmondhalghs socio-cultural study starts out a little bit rough, spending a lot of time telling us things hes going to tell us without actually telling us those things. But as this swift, theoretically intricate but surprisingly readable volume digs into its subject matter, the writer uncovers interesting notions about the complexly sexualized cultural presentation of black music; various regional and ethnic musics of oppressed minorities that ended up essentially becoming "national" musics; what precisely constitutes "folk music," and how political said music is obligated to be; and the ways in which people use music both as a tool of self-definition and as a means of excluding others (the idea of a class-based approach to music is one that I had not truly theoretically dug into, and Hesmondhalghs book is an exemplary introduction to this notion). Its perhaps not a perfect distillation of its intended subject, but with such a broad thesis, how could it be? Nevertheless, recommended reading for anyone interesting in the greater meaning of the songs we often tap our foot to, but otherwise take for granted.
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