Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Wednesday, September 20, 2017

A624 Ebook PDF Ebook Stella Adler The Art of Acting preface

A624 Ebook PDF Ebook Stella Adler The Art of Acting preface


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Stella Adler - The Art of Acting: preface

Stella Adler - The Art of Acting: preface



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Stella Adler - The Art of Acting: preface

Noticeable wear to cover and pages. May have some markings on the inside. Fast shipping. Will be shipped from US. Used books may not include companion materials.

  • Sales Rank: #15230132 in Books
  • Published on: 2000
  • Binding: Hardcover

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Tuesday, September 19, 2017

J282 Ebook PDF Ebook Cratinus and the Art of Comedy by Emmanuela Bakola

J282 Ebook PDF Ebook Cratinus and the Art of Comedy by Emmanuela Bakola


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Cratinus and the Art of Comedy, by Emmanuela Bakola

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Cratinus and the Art of Comedy, by Emmanuela Bakola

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Cratinus and the Art of Comedy, by Emmanuela Bakola

Cratinus, one of the lost great poets of fifth-century Athenian comedy, had a formative influence on the comic genre, including Aristophanes himself. Using a methodologically innovative approach, Emmanuela Bakola studies the surviving fragments of Cratinus plays and offers a thorough analysis of the multifaceted art of this poet and his place in the history of comedy. Issues which she addresses include the creation of a poetic personality within a performative
tradition of fierce interpoetic rivalry; the play at the boundaries of the comic genre and the interaction with satyr drama and tragedy, especially Aeschylus; stagecraft and dramaturgy; comic plot-construction and characterization; the authors reflection on his immediate political, social and
intellectual context. As well as providing insight into Cratinus, her book enriches our understanding of fifth-century Athenian comedy in a dynamic evolving environment.

  • Sales Rank: #3941989 in eBooks
  • Published on: 2009-12-17
  • Released on: 2009-12-17
  • Format: Kindle eBook

Review
Our understanding of Athenian "Old Comedy" is greatly enriched by Emmanuela Bakolas Cratinus and the Art of Comedy ... this is an impressively rewarding study. Matthew Leigh, Times Literary Supplement This is a book about which all students of ancient comedy should be excited. Tom Hawkins, Classical Review

About the Author

Emmanuela Bakola is British Academy Postdoctoral Research Fellow, Department of Greek and Latin, University College London.

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Friday, September 8, 2017

T491 Ebook Download Ebook The Elements of Color A Treatise on the Color System of Johannes Itten Based on His Book the Art of Color

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The Elements of Color: A Treatise on the Color System of Johannes Itten Based on His Book the Art of Color

  • Sales Rank: #6953086 in Books
  • Published on: 1970
  • Number of items: 2
  • Binding: Hardcover

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0 of 0 people found the following review helpful.
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Wednesday, August 30, 2017

O322 Ebook Ebook Free Garde Manger The Art and Craft of the Cold Kitchen by The Culinary Institute of America CIA

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Garde Manger: The Art and Craft of the Cold Kitchen, by The Culinary Institute of America (CIA)

The Culinary Institute of Americas complete and contemporary guide to garde manger can help anyone master the art of cold food preparation. Combining clear, illustrated explanations of basic methods in full colour with over 400 recipes, it covers sausages, cured and smoked foods, terrines, pates, galantines, and roulades as well as sandwiches, salads, cold sauces and soups, hors doeuvres, appetisers, and condiments.

  • Sales Rank: #1115602 in Books
  • Published on: 1999-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.14" h x 1.13" w x 8.78" l, 3.80 pounds
  • Binding: Hardcover
  • 488 pages

amazon,com Review
Garde manger refers to the restaurant kitchen area where cold dishes, including soups, salads, sandwiches, sauces, cheeses, sausages, and p?t?s, as well as hors doeuvres and the condiments used to garnish them, are prepared. The book Garde Manger is a teaching text for food professionals, updated from a 1973 edition by a team of chefs from the Culinary Institute of America. Home cooks, as well as students and professional cooks, will enjoy the chapters on preparing dressings, cold soups, salads, and sandwiches in this clearly, concisely written book, which is illustrated with hundreds of color photos. More serious home cooks will also appreciate the chapters that delve into making sausages, smoked foods, terrines, and other charcuterie. Here youll learn to prepare and smoke old-fashioned, lusty French Garlic Sausage or a Pheasant Galantine enriched with pork fat and Madeira.

Intermediate cooks comfortable with terms such as chiffonade (leafy vegetables cut into very thin strips) will appreciate composed salads like simple Italian Shaved Fennel with Parmesan and heat-spiked Buffalo Chicken Salad, in addition to such soups as Cold Carrot Bisque sparked with ginger, tangy orange juice, and yogurt.

Noncooks interested in food will find Garde Manger fascinating too. How better to appreciate the Roasted Vegetable Terrine, layered with eggplant, squash, mushrooms, and goat cheese and served at your favorite restaurant, than by understanding how it is made? Home cooks who entertain will appreciate Garde Mangers recipes, as they produce quarts of sauce, gallons of soup, and canap?s by the dozen. For the rest, when you cant modify the recipe, there is always the freezer. --Dana Jacobi

From the Back Cover
The term garde manger was originally used to identify a storage area for preserved foods such as hams, sausages, and cheeses. Cold foods were prepared and arranged for banquets there as well. Over time, the term garde manger has evolved to mean more than just a storage area or larder. It also indicates the "station" in a professional kitchen responsible for preparing cold foods, the cooks and chefs who prepare these cold foods, as well as an area of specialization in professional culinary arts. Members of today’s garde manger share in a long culinary and social tradition, one which stretches back to well before the dawn of recorded history. Whether garde manger is your "entr?e" to the culinary field, your lifelong passion, or a new challenge in your professional growth, Garde Manger: The Art and Craft of the Cold Kitchen offers a full view of the foods that are encompassed by today’s garde manger.

About the Author
The Culinary Institute of America (CIA), hailed by Time magazine as "the nations most influential training school for professional cooks," is the author of some of the most significant works for professionals and students.

The oldest culinary college in the United States, The CIA was founded with 50 students in 1946 by Frances Roth and Katharine Angell as the New Haven Restaurant Institute. In 1947, the college relocated to a 40-room estate near Yale University and changed its name to the Culinary Institute of Connecticut. The name was changed to The Culinary Institute of America in 1951 to reflect the colleges national student population. In 1972, with a student body of 1,000, the college relocated to its present home, the former St. Andrews-on-Hudson in Hyde Park, New York, originally a Jesuit seminary built at the turn of the century.

Today, more than 2,100 students representing every state and several foreign countries are enrolled in the colleges bachelors and associate degree programs in culinary arts and baking and pastry arts. In addition, more than 6,000 professionals each year enroll in continuing education courses and another 1,600 participate in programs for food enthusiasts.

Most helpful customer reviews

25 of 26 people found the following review helpful.
encouraging
By A Customer
This volume is fantastic. It is encouraging to see culinary professionalism displayed so everyone can see the bones of it. I am a chef and enjoy its purism and sense of direction. It is a great culinary tool for myself and my cooks. I am currently teaching a class in garde manger for which I have ordered this book as a text. This is a must for your collection.

26 of 28 people found the following review helpful.
Excellent reference and guide
By Cosmas Bisticas
Many of the readers have commented that this book is for professionals only. I happen to disagree with this opinion as there are no prerequisites required to understand the instruction given within. Having said this, if you are not even curious of understading the fundamentals of lets say for example, sausage making, there is no need to buy this book, you can find great sausage at the grocery store without the hassle of making it at home.

So this book, yes it is for professionals but also for anybody who wants to understand (and even apply)the nuts and bolts of the cold kitchen. Personally I think that understanding the method that is used to prepare something, gives one a greater appreciation of that something when it is offered to him/her.

So for all of you non-professionals, if you are simply curious, about how to make salad dressings, terrines, or bologna for that matter, this book is written in laymans terms and will be an interesting journey into the world of Garde Manger.

57 of 70 people found the following review helpful.
Encyclopedic Authority on Cold Food Prep and Service
By B. Marold
One could compare this book, `Garde Manger by the Culinary Institute of America to Martha Stewarts `Entertaining like a comparison of Richard Feynmans Lectures on Physics to a popular history of 20th century physics. Unfortunately, that comparison does not hold up. The more appropriate comparison would be between a technical work on wood joinery to a glossy `This Old House imprimatur book on cabinet making. The difference between the classroom and the home kitchen is simply not that large. One can even bend the simile around on itself to say that the laboratory in which new culinary thoughts arise is in the home kitchen and not in the teaching classrooms of the Culinary Institute of America.
All this playing with comparisons is simply meant to make the point that while this book is presented as a textbook by the most prestigious culinary training institution in the country, its material is simply not that different from a book with more obviously commercial origins.
This book does have a lot of material you will not find in a Martha Stewart or Ina Garten or Paula Deen book. High on the list of interesting background information is the history of how the French Revolution may have been a major contributor to the rise of restaurants and the great strength and variety in French cuisine.
The real story here is cold food and how it is prepared and served in (French) restaurants. On this subject, this book is a delightful source of both recipes and Alton Brown / Shirley Corriher type background. Honestly, the true culinary counterpart to Feynmans lectures would be Harold McGees oft quoted books on food science.
This CIA book gives a wealth of recipes for salad dressings and other cold sauces, cold salads, sandwiches, cured and smoked foods, sausage, forcemeats, cheese, hors doeuvres, appetizers, condiments, and basic recipes (spice mixes and the like). One thing that immediately endeared me to the book is its treatment of vinaigrettes, which easily outdoes even Martha Stewarts better than average treatment. This material is worth the price of admission. Another service it supplies, with the authority of a teaching institution, is to simplify some culinary terms. For example, it always bedeviled me to know the difference between, for example, a relish, a salsa, and a chutney. Turns out that they simply are three different words for the same basic preparation. Like `plains, `veldt, and `pampas, they are different words for the same thing reflecting three different ethnic sources.
The chapters on curing and sausage may interest fewer readers than most, but there is much you can get from these chapters even if you never make a sausage. I was particularly struck by the fact that government regulations require that pork used in sausage making be `certified. Thats a little fact that people like Emeril and even Alton leave out of their little how to shows on sausage making. As a great believer in serendipity, I believe you never can tell what inspiration you can get from unfamiliar material. Here lies the greatest value to this book. It tells you a lot of the things which more popular treatments of the same subject can easily overlook. This includes things like sanitation, shelf life, and equipment care. As an aging hippie whose fantasies were fueled by the `Whole Earth Catalogue, I find the chapter on cheeses to be worth a months run of `Good Eats shows.
One can say that this book is really meant for the restaurant professional, but I believe it has many uses for the home cook. The most important use is as a resource for making pantry items like prepared catsup, mustard, relish, crackers, spice mixes, salad dressings, and stocks which one may typically buy at the supermarket. If you put your mind to it, you will certainly attain a better tasting product. What may be more important is that you will also certainly attain a better tasting product with no laboratory chemical ingredients.
For the real foodie, this book is a treasure. It gives recipes for lots of things few other books take the trouble to cover. The danger to the newbie is that they may not see those points at which the books coverage is not complete. One area is in the recipes for stocks. These recipes are `bare bones instructions with none of the usual cautions and explanations given in some other books. If you are really serious about stock making, consult `Jeremiah Tower Cooks or Judy Rodgerss `The Zuni Caf? Cookbook or even the CIAs `New Professional Chef text. One can excuse this somewhat since these are hot preparations in a book about cold food. I would have preferred a reference to a work that gave the subject a more complete coverage.
One irritating thing I find in some reviews is a complaint about something which is outside stated range of the book. This book is about cold food. Do not expect details on baking or hot cuisine. Any material on those matters should be taken as a convenience to the reader.
I was a bit surprised to find at least one typo in this textbook by a respected school, published by textbook specialist Wiley. I found no errors that will mislead the home cook.
The book has several features I consider essential in a textbook. One is an bibliography. Another is a list of sources. Another is a glossary of terms. Another, very important, is an index of recipes.
This book is excellent if you are building a culinary library or do a lot of entertaining or are especially fond of salads and sandwiches, or simply like to read about food. The only reservation an interested reader may have is the price. The $60 list price inhibited me for several months, but I believe the book is worth it if you do any entertaining or make any quick cold lunches in your kitchen. Highly recommended.

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Saturday, August 19, 2017

J666 Ebook PDF Download The Amazing American Circus Poster The Strobridge Lithographing CompanyFrom Cincinnati Art Museum

J666 Ebook PDF Download The Amazing American Circus Poster The Strobridge Lithographing CompanyFrom Cincinnati Art Museum


PDF Download The Amazing American Circus Poster: The Strobridge Lithographing CompanyFrom Cincinnati Art Museum

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The Amazing American Circus Poster: The Strobridge Lithographing CompanyFrom Cincinnati Art Museum

The Amazing American Circus Poster: The Strobridge Lithographing CompanyFrom Cincinnati Art Museum



The Amazing American Circus Poster: The Strobridge Lithographing CompanyFrom Cincinnati Art Museum

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The Amazing American Circus Poster: The Strobridge Lithographing CompanyFrom Cincinnati Art Museum

At the turn of the 20th century, scores of circuses crisscrossed America. In many towns, Circus Day was a major holiday, right behind Christmas and Fourth of July. Schools and businesses closed as the populace flocked to the circus street parade and, later, to the circus grounds. Their anticipation had been fueled weeks beforehand by the circuss advance squads of billposters, who covered walls and fences for miles around with brilliantly colored, boldly bombastic posters advertising the seasons feature attractions. The Amazing American Circus Poster: The Strobridge Lithographing Company catalog uses extant posters to explore the circus and its impact on American culture. It also examines the role of the posters themselves in the evolution of visual communication and consumer advertising, particularly outdoor advertising. "The Amazing American Circus Poster: The Strobridge Lithographing Company is published to accompany the exhibition "The Amazing American Circus Poster: The Strobridge Lithographing Company," held at the Cincinnati Art Museum from February 26 to July 10, 2011, and The John and Mable Ringling Museum of Art from September 17, 2011, to January 29, 2012."

  • Sales Rank: #1870744 in Books
  • Published on: 2011-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .79" w x 11.42" l, 4.00 pounds
  • Binding: Paperback
  • 264 pages
Features
  • Includes bibliographical references and index.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Stupendous
By old man
My grandfather was famous for designing and building circus wagons. I love to read anything about the old circus days. This is one of the best circus history books ever written. Dont let the title fool you.

1 of 1 people found the following review helpful.
Beautiful illustrations
By cindy whitis
Large oversized book with beautiful illustrations, plenty of history, and a little about the Strobridge family. Price was good also.

1 of 1 people found the following review helpful.
Five Stars
By Angus Carroll
Excellent book with superb photos.

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Wednesday, August 2, 2017

N710 Ebook Download PDF The Art of Mass Effect Andromeda by Bioware

N710 Ebook Download PDF The Art of Mass Effect Andromeda by Bioware


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The Art of Mass Effect: Andromeda, by Bioware

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The Art of Mass Effect: Andromeda, by Bioware

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The Art of Mass Effect: Andromeda, by Bioware

The award-winning Mass Effect series captured the renegade hearts and paragon souls of gamers everywhere with its memorable characters, stunning visuals, and visceral combat! Now, journey to a new galaxy with Dark Horses The Art of Mass Effect Andromeda- featuring never-before-seen art of the hotly anticipated games characters, arsenal, locations, vehicles, and more! This deluxe hardcover is an essential addition to any gamers collection!


Exclusive never before seen concept art from the making of Mass Effect Andromeda!
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The comprehensive companion to the wildly anticipated Mass Effect Andromeda!

  • Sales Rank: #2018 in Books
  • Published on: 2017-03-21
  • Released on: 2017-03-21
  • Original language: English
  • Dimensions: 12.40" h x .80" w x 9.30" l,
  • Binding: Hardcover
  • 184 pages

About the Author
BioWare is a Canadian video game developer founded in February 1995 by newly graduated medical doctors Ray Muzyka, Greg Zeschuk, and Augustine Yip. BioWare is currently owned by American company, Electronic Arts. The author lives in Edmonton, AB, Canada.

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Saturday, March 25, 2017

Expeditionary Art Late Night Adventures in Montreal

Expeditionary Art Late Night Adventures in Montreal


[By Marc Taro Holmes in Montreal, CA] Winter is coming in Montreal. That (normally) means the end of painting outdoors for awhile. But - it so happens Maria Coryell-Martin at ExpeditionaryArt.com has sent me one of her Pocket Palettes to review.


Maria is known for using her ultra-light gear on expeditions to the south pole, where the size and weight of gear in your pack are a matter of life and death. (Just ask the Franklin Expedition).

So I figured, if the pocket palette works for her, it should work on an arctic expedition of my own. Im heading to downtown Montreal on a November night. Forecast says -3 Celsius! I want to try this thing out in the worst conditions possible. Dark, cold and tired - sketching doesnt get more fun than that :)


About the Palette:

It’s a cute little gadget. Essentially a repurposed business card holder and three sizes of ultra-slim tin pans that you can re-arrange on the sheet magnet inside the case.

My take on the various sized trays is this: teeny small rectangles for pigments; squares and big rectangles for mixing areas. I suppose you could use the squares for pigment if there’s one you know you’ll use frequently. My initial worry with these slim pans is they might not hold enough paint for me. But we will see what we see.



I already use a pretty small paint box. It’s not as if my W&N kit could be called chunky. Is this a mid life crisis where we abandon old partners for a younger slimmer version?

Hah.

I’m always shy about messing with my paint box. It’s time consuming to take apart, messy, and if I don’t like the new pigment, then I have to wash out the half pan and refill the color I *already* wasted! Petty I know. So I suppose theres an advantage to the small pans. Not a big deal to wash one out.



So I’m heading out on a first trial run.

Im taking along the tiny atomizer Maria sent, as well as some 30ml/1 ounce water bottles and my trusty old DaVinci travel sables - which I havent used in a while - not since I started carrying brushes in a brush case. That little black wallet is not included in the Pocket Palette kit - she has a much nicer case that I havent picked up yet.

This is a test of a micro kit! Which means Im also trying out a little 3.5 x 5.5 Stillman and Birn Beta, (which, by way of disclosure, was also sent to me gratis. More on the sketchbook later when I get part way through it).



Ive got a six color setup of fall colors, which I think will work for this night shoot: Neutral Tint, Raw Umber Violet, Turquoise, Quin Gold Deep, Buff Titanium and Grey of Grey. (Yes, this is just a subset of my everyday carry. I’ll try some weirder color choices next time :)

Wish me luck :) That is awfully tiny. I’m not totally sure it’s going to work.



So the kit works great! And the mixing area on the lid works fine. No leaking at the hinge at all.

Ive got the 30ml Nalgene bottle stuck to a binder clip, with the assistance of a magnet taped to the bottom of the bottle.

Setup feels good. Its ultra light, easy enough to hold in one hand. And Im not finding painting with bulky gloves a big deal. Probably because Im not switching brushes. I can do this whole thing with the #6 Pointed Round, DaVinci Travel Sable. With everything clamped down, I havent had to adjust anything, or even go into my bag once.



Round Two! Painting the monuments in Place Du Canada. Its about zero Celsius right now, so no worries with freezing paint water. But its cold enough that Im keeping this to a 15 min sketch. Walking to a coffee shop to dry paint takes longer than the painting itself.

Im getting some weird looks from people - street painting is strange enough, never mind late at night. I overhear someone saying "...only in Montreal". If only they knew! This is happening all over the world even as we speak :)




So, next time people say, "I wish I could paint loose like you" - heres the answer. Go out at midnight in the winter and youll find it quite easy actually :)

Those were three very small sketches, and even though I was painting wet and juicy, you can see Ive used between almost none to 1/2 of a tray.

I would say - if youre painting at a size this kit is intended for (under 9x12"?) - these paint trays are plenty large enough. I was worried for no reason.



Ultimately, mixing on the lid worked better than expected, so I removed two of the square trays, giving me four more colors. If it were spring, I could see cutting one more mixing tray to put some greens back on the menu - which would basically make it my full palette again.

Here (swatches above) is what I have in it right now. Ill see how that goes at Urban Sketchers Montreal this fourth Sunday.

In the mean time - the Expeditionary Art Pocket Palette gets five stars from me! Right now, for the holiday season, Maria is offering Urban Sketchers a discount code. Head over to her store and use EXPLORE2016 sometime before the end of December.

~marc

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Tuesday, February 7, 2017

Bob Goyette and the Art of Wine Making

Bob Goyette and the Art of Wine Making


[By Richard Sheppard in Graton, California]  Few vintners invite visitors into their wine labs, which reinforces the suspicion that winemaking is a mysterious process akin to alchemy. But with a little coaxing, master wine wizard Bob Goyette welcomed me into his Graton lab to see and sketch how he blends the wine after it leaves the crusher.


Every winemaker’s methods are different, but the basic idea is the same: to guide the fermentation process, blending the resulting wine according to his or her style within the framework of traditional winemaking methods.


Over lunch at Mexico Lindo, Goyette tells me how he got into the business in 1972.



“I drove from Chicago to California on my new 350 Suzuki motorcycle with just a few changes of clothes,” he said. “At the time I was still in the Navy. But my first wine job was at Mark West. A few buddies and I used to sit around drinking French Burgundies after work as we dreamed of opening up our own winery until one day, it happened.


“In 1979, we founded La Crema ViƱera winery, but today it’s just called La Crema. We sourced the best grapes we could find and copied French winemaking techniques, because that’s what people did back then. Despite the odds, we made some really good wines ... until we ran out of money,” he says laughing.


“Unfortunately, we put all our resources into producing the wine and didn’t leave any money for marketing and distribution, so we ended up having to sell.”


Bob’s reputation as a fine winemaker helped him land at Benziger in Glen Ellen, where he stayed until launching his own Sebastopol-based brands, Stephen Vincent and Robert Goyette wineries.


I ask, “Where do you feel your job as winemaker starts?”


“I’d say the vineyard. To make great wine, you have to start with quality grapes, and they have to be harvested at the right time. If you wait too long the vines get tired, the sugar gets too high, and your wine gets too strong, losing nuance and complexity. Timing is everything. And of course, weather plays its role.


“Once the grapes are harvested, the fermentation process has to be monitored closely. Cold soaking the juice along with the grape skins is the method I’ve been using lately. It allows the juice to extract as much flavor as possible from the skins before primary fermentation starts. This way I build a better base for a young wine to develop.”



After finishing our lunch, we walk across the street and behind a windowless building, entering through a side door where a large bottling operation is in full swing. The noise is monumental, and Goyette gestures to follow him down a short hallway. The lab is packed with computers, chemistry supplies and a variety of electronic equipment.


“This is where we do our wine analysis,” he says, then leads me into an adjoining room. The room is sparse, with a lone calendar decorating the wall above a water cooler. Wine glasses hang upside down from a rack above a dozen small wine bottles at rest on the counter. 


“Today we’ll be working with pinot noir. Without getting too specific, these small bottles contain pinot from several different vineyards, some of which were aged in American oak, others in French. Still others were aged in neutral oak (barrels used more than four times that don’t contribute much, if any, flavor). We also have the varietal pinot meunier, which is similar to pinot noir. We’ll blend it in where we need it, for complexity.


“I’ve already sampled each of these wines and will intuitively create the first blend. The base pinot is a combination of three clones from three different vineyards, each fermented separately. One clone has fresh fruit, like raspberries, and the other two have more dark berries along with longer exposure to new oak.”


Goyette pulls two glasses off the rack, smelling each one for any off odors. Using a pipette, he measures wine out of a bottle and then pours the sample into a measuring cylinder. He repeats this process with several other wine samples, carefully noting the proportions. He then pours the combined sample into our glasses for tasting — the first blend.


I swirl the wine in my glass and hold it up to my nose. It smells tight, unwilling to let go of its fruit. I also find it a little astringent in the finish. After a short discussion, Goyette stops to jot the ratios into his notebook. Then he creates a new blend. 



We rinse our glasses for another taste. Again, we discuss the wine, and this time we agree less oak is desired. After six rounds of tasting, the blend is finalized. It smells fresh with bright fruit, and is layered with earthy nuances and well-balanced oak.

“OK, that’s it,” Goyette says. “The wine still tastes a little rough, but that should be fixed with filtering.”


With my nose still in the glass, I’m reminded of walking on the beach with my wife in Pacific Grove, looking at tidal pools and sipping fine wine out of a plastic cup.


At this stage, Bob’s crew will make the final blend in a tank according to the percentages in Goyette’s book. It will age in barrels until it is finished and ready to bottle, then stored until he feels it’s out of bottle shock, ready to drink.

Bottling is similar to putting a frame on a painting. It’s out of the hands of the artist and is now displayed for the world to experience.

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