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Q A with Steve Hockensmith Lisa Falco!

This week, we sat down with Steve Hockensmith and Lisa Falco, coauthors of the Tarot Mysteries. Their latest, Fool Me Once, is out now!

Steve Hockensmith: Im approaching this Q&A tag team style. Ill wrestle with every question I can until I find theres one I cant handle. Then Ill slap hands with my partner on the Tarot Mystery series, Lisa Falco, and shell jump into the ring to save me.

Midnight Ink: How long have you been writing?

SH: Forever! I began creating my own (horrible) once-act plays and comic books and old-time radio-style audio dramas when I was in fourth or fifth grade. (How I pray no one ever finds those old cassette tapes.) I was very ambitious but also very lazy�great combo, eh?�so I started a lot of projects I never finished. I didnt get really serious about writing fiction until I was in my twenties. Thats when I finally developed some stick-to-itiveness. I put in a few years writing bad short stories I couldnt sell, and then an amazing thing happened: The stories stopped being bad, and editors started buying them! Quite a coincidence how those two things happened at roughly the same time�.

MI: What influence have other authors had on your writing?

Steve: My mystery novels get called "quirky" a lot, and I think maybe thats because my biggest influences come from outside the genre. When I was a 15 or 16, I stumbled onto a Kurt Vonnegut novel in the school library�thank you, Bridgeport High School!�and that ended up having a huge impact on me. I cant remember which book it was, but it doesnt really matter because within a few months Id tracked down and read everything else the guy ever wrote. I completely gorged myself on Vonnegut. Thatll have an effect on an impressionable young mind. Around the same time, I read Catch-22 and fell in love with the bleak, cynical, surreal humor of it. But Ive always been a lover of genre, too, so I had this weird mix of influences stewing in my head: dark, strange, funny "literary" fiction simmering alongside plot-driven adventure stuff. So when I finally started serving up my own stories, they tended to be a little . . . different.

MI: If you weren�t a writer, what would you be doing?

SH: Dreaming of being a writer.

MI: What was your inspiration for this series?

SH: Im going to bring Lisa in for this one, because doing a series about a tarot reader who uses the cards to help her clients was her idea. Tag!

Lisa Falco: I LOVE reading mysteries. I always have. As a child, I�d spend my summers plowing through entire mystery series: Trixie Belden, Nancy Drew. I still read mystery series as an adult. I love how all the elements of the mystery at hand weave in and out of the main characters� lives, each subsequent book revealing a little bit more about them�their own story advancing just enough to keep me impatient for the next book. And since tarot has always been a mysterious fascination of mine, it only made sense to marry the two.

MI: What has it been like to work on the Tarot Mystery series together?

LF: What an amazing experience. There were definitely hiccups along the way�through no fault of our own, of course. But it all worked out in the end, and winding up at Midnight Ink was a huge benefit! As far as creating the books together, thank goodness for the Internet. Even though we live in different cities, it�s easy to shoot ideas to each other. This is my first truly collaborative writing experience. I love talking through plots on the phone�winding down one path, retracing our steps, trying another. It�s great fun!

SH: Tag! I�m back in! Although I don�t really have anything to add except maybe �Yeah�what she said!�

MI: How does this series compare to your past works?

SH: The tarot element sets it apart, obviously. But its a change of pace for me in other ways, as well. My first mystery series, the Holmes on the Range books, were historicals set mostly in the Old West. They were in first person written from the point of view of an 1890s cowboy, so the voice was both earthy and a bit old time-y. My next books were Jane Austen-inspired zombie novels set in Regency England, so I was working in a deliberately old-fashioned third person voice. After that, I moved on to a series of third person middle-grade mystery/science books (which I do with "Science Bob" Pflugfelder). Those were my first books in a modern setting. And then came the Tarot Mystery series, which is both set in the present day and written in first person. So finally Im writing books with a modern narrator. I think thats part of the reason they feel so easy and fun for me to do. Lisa does all the research and deep thinking when it comes to the tarot, then I get to amuse myself by turning that into a story told from the perspective of a twenty-first century smart-ass.

MI: Who is your favorite mystery sleuth and why?

SH: There are a lot that I love�Sherlock Holmes, Philip Marlowe, Jim Rockford, Nick and Nora Charles (and Asta), Archie Goodwin and Nero Wolfe, I.M. Fletcher, etc. etc. etc. But if I could only pick one to watch at work, it would have to be Lt. Columbo of the LAPD. He personifies the mystery genre in a really beautiful way: Hes someone who thinks and thinks and thinks and cant stop thinking and thinking and thinking some more until he finally understands. Hes not about flashy shows of unbelievable genius or tough-guy heroics. Hes just a schlubby little guy who wont stop asking questions because the official story doesnt add up. Whats not to love about that? Ill tag Lisa here not because I need help�I could obviously drone on about my favorite detectives all day�but because its a fun question. Lisa?

LF: I�m partial to the sleuths on British TV like Inspector Lewis and Foyle�s War. The lead characters are human with just the right amount of unpolished edges. I do like the women sleuths as well, my favorite being Precious Ramotswe from the Ladies No. Detective Agency.

MI: What�s your favorite part about being an Inker?

LF: I love how Midnight Ink does the layout of our books�not an an easy feat given all the tarot card positions, etc. I�m sure Steve has his own favorite aspects of being an Inker�.

SH: I love the layouts, too. And the covers. But I think my favorite aspect of working with Midnight Ink is just how easy everything is. Once we�ve submitted our final draft, the design, copy editing, proofreading, and publicity wheels turn incredibly swiftly and smoothly. A publishing company can feel like a lumbering behemoth at times, but that hasn�t been our experience with Midnight Ink at all. And it helps that so many people there have a genuine interest in tarot. You can tell they care about what goes into these books and appreciate the final product. Again�that�s something you don�t always get from your publisher. It�s a real bummer when you don�t . . . and fantastic when you do!

Fool Me Once is available online and in bookstores now!

Midnight Ink | Indiebound | Barnes & Noble | Amazon | Your local bookstore

Visit Steve Hockensmith online. 

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• Sales Rank: #4368421 in Books
• Published on: 2005-12-21
• Original language: English
• Number of items: 1
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• Sales Rank: #1657921 in Books
• Published on: 2001-11
• Original language: English
• Number of items: 1
• Dimensions: .46" h x 8.86" w x 10.82" l,
• Binding: Paperback
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0 of 0 people found the following review helpful.
Good Resource
By Peter
Great resource of beginner to intermediate and some advanced knowledge and application. Ive enjoyed recreating some of the techniques diagramed in this book. There are some fantastic photographers work and their detailed analysis of their techniques laid out very accessibly.

3 of 4 people found the following review helpful.
The Holy Grail For Many Food Photographers
By Syl Arena
My original review on PixSylated.com: This book is the Holy Grail for many food photographers. It presents the work of more than 20 leading food shooters in the classic format of RotoVision books. Nearly every spread presents a seductive, full-page shot paired opposite a how-to description and explicit lighting diagram. The book starts with ambient light shots, then works through one light setups, two light setups and then "sophisticated" setups. This is the book I open when I need a dash of visual inspiration. Although published in 2001 and full of anecdotes about shooting film, the book is more valuable today than when it was published with a cover price of $35. IF you can find it, expect to pay something north of $200 for a good used copy. In my correspondence with RotoVision, they said that they have no plans to reprint or issue a new edition. So, if youre serious about your craft as a food photographer, dont hold your breath for a "cheap" version anytime soon.

23 of 23 people found the following review helpful.
A Beautiful Book
By A Customer
This is a beautiful book full of beautiful shots of food in all its glory. Each shot is accompanied by a diagram showing you how to position your lights, camera, and subject. You also get info on which film was used, which camera was used, what the exposure was, plus a host of other insider info on this specialty trade. Youll need a basic background in lighting to be able to replicate the techniques. And I suspect youll want to learn some basic food styling skills, if you ever want to master this field. Still, the book is a must for someone who wants to practice shooting food shots. By mastering each technique illustrated, you can then let your imagnation soar and move on to creating your own fabulous food shots.

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